A world without colour. No other colour to be seen beneath the sky but mud. The very buttons on the men’s coats painted to make them look like mud. Flossie appeared, towing a white-haired, distinguished-looking man, a Mr. Folk. She introduced him and immediately disappeared. Joan wished she had been left alone a little longer. She would like to have heard more. Especially was she curious concerning Abner, the lady’s third. Would the higher moral law compel him, likewise, to leave the poor lady saddled with another couple of children? Or would she, on this occasion, get in—or rather, get off, first? Her own fancy was to back Abner. She did catch just one sentence before Miss Tolley, having obtained more food for reflection than perhaps she wanted, signalled to her secretary that the note-book might be closed.!

The lonely woman touched her lightly on the hand. There shot a pleading look from the old stern eyes. “Yes,” she answered firmly, as if she were giving a command. But he read pity also in her eyes.

“I wanted to be a coward,” he said, “to keep out of the fight. I thought of the shame, of the petty persecutions—that even you might despise me. But I couldn’t. I was always seeing His face before me with His beautiful tender eyes, and the blood drops on His brow. It is He alone can save the world. It is perishing for want of love; and by a little suffering I might be able to help Him. And then one night—I suppose it was a piece of driftwood—there rose up out of the sea a little cross that seemed to call to me to stretch out my hand and grasp it, and gird it to my side.” The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “I’m afraid you don’t like him,” Joan commented.